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SEAN DACK ~ Images Press |
Born: Albany, NY in 1976 Lives and works in New York City Education: M.F.A. from Columbia University School of the Arts, NY, 2002
B.A. from Purchase College of Art and Design, Purchase, NY, 2000 Solo Exhibitions: 2008 Ghost Hardware, Daniel Reich Gallery, New York, NY Echo/ Repeat, Fredric Snitzer Gallery, Miami, FL
2007 Future Songs, Daniel Reich Gallery, New York, NYLoss and Recovery/Vovoid, Hiromi Yoshii Gallery, Tokyo, Japan
2006 Twilight Town, Moore Space, Miami FL Diminished Returns/Innocent Eyes, David Kordansky Gallery, Los Angeles, CA
2004 Sean Dack, Daniel Reich Gallery, New York, NY Dwell Time, Southfirst:art, Brooklyn, NY
2003 Sean Dack and Liam Gillick, A Film, A Clip, A Documentary, Corvi-Mora, London, England 2002 Fresh & Upcoming, Frankfurter Kunstverein, Frankfurt, Germany (project space) No Encore, Southfirst:art, Brooklyn, NY
Group Exhibitions: 2008 The Future as Disruption, The Kitchen, New York Thoughts on Democracy,Wolfsonian-Florida International University, Miami
Cube, Passerby, New York The Hidden, Maureen Paley, London Uncertain States of America, Songzhaun Art Center, Beijing 2007 Uncertain States of America, Galerie Rudolfinum, Prague Deaf II “From the Audible to the Visible”, Frank Elbaz Gallery, Paris, Curated by Peter Coffin
Uncertain States of America, Le Musee de Serignan, Serignan, France 9 or 10 Works I Used To Like, In No Order, Monitor Video and Contemporary Art, Rome Landscapes, Southfirst:Art, Brooklyn Uncertain States of America, The Centre for Contemporary Art, Warsaw Uncertain States of America, Herning Kunstmuseum, Denmark Uncertain States of America - American Video Art in the 3rd Millennium, Moscow Biennial, Moscow 2006 Uncertain States of America, Reykjavik Art Museum, Reykjavik, Iceland Surviving Paranoia , Hudson Valley Center for Contemporary Art, Peekskill, NY
Thank You For The Music (London Beat), Galerie Sprueth Magers Lee, London, UK Endless Summer, Westlondonproject, London, UK Manhattan Project, Fredric Snitzer Gallery, Miami, FL 2005 Thank You For The Music, Galerie Sprueth Magers, Munich, Germany The Uncertain States of America, Astrup Fearnley Museum of Modern Art, Oslo, Norway
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, Serpentine Gallery, London, UK Reykjavik Art Museum, Reykjavik, Iceland Curated by Hans Ulrich Obrist, Daniel Birnbaum, and Gunnar B. Kvaran, There’s a City In My Mind Southfirst:art, Brooklyn, NY 2004 Works on Paper, Mixture Contemporary Art, Houston, TX Trailer, Man in the Holoscene, London, UK, curated by Tom Morton and Catherine Patha. w/ Liam Gillick
Sadie Hawkins Dance, Summer Group Show, Southfirst:art, Brooklyn, NY Music Box, White Box, New York Glad Day, Foxy Productions, New York Standard Projection: Weather/Traffic, Standard Hotel, Los Angeles, CA, curated by Loren Mindak and Art Production Fund 2003 Sean Dack and Liam Gillick, A Film, A Clip, A Documentary, Corvi-Mora, London New York Fucking City, Southfirst:art, Brooklyn, NY
Electric Body, Cite de la Musique, Paris, France 2002 Jahresgaben, Frankfurter Kunstverein, Frankfurt, Germany Escape, Egizio’s Project, New York, NY
Paris/Brooklyn, Brooklyn/Paris, Galerie Anton Weller, Paris, France Music Box, White Box, New York Columbia University MFA Thesis Show, May 2002 , New York, NY Dark Spring, curated by Nicolaus Schafhausen in cooperation with Liam Gillick Ursula Blickle Stiftung, Kraichtal, Germany Layer Immaterial, Leroy Nieman Center for Print Studies, New York, NY 2001 Welcome to the Playground of the Fearless, Entropy, Brooklyn, NY Flight, Southfirst Gallery, curated by Southfirst & Flug, Vienna, Brooklyn, NY
Columbia University First Year MFA Show, , curated by Jerry Saltz, Miriam & Ira D. Wallach Gallery, New York, NY Workspheres, the Museum of Modern Art in conjunction with LOT/ek architecture, New York, NY Surround 5.1, curated by Arto Linsay, Tonic, New York, NY 2000 GotoASA.org Benefit Art Auction, , curated by James Fuentes and Seth McBride, Angel Orensanz Foundation, New York, NY
Open Space, 30 artists in 60 days, James Fuentes Gallery, New York, NY Bibliography: 2007 Brown, Jacob, Extra, “V Magazine”, March 2007, pg. 190 “Curated Shorts”, The New York Times T Style Online Magazine, December 2007
Kennedy, Randy, “No. 1 With a Bullet (Or Rather an Apocalyptic Blast)”, The New York Times, August 16, 2007 2006 Sjostrom, Jan, “Moore gives life to performance art, video”, Palm Beach Daily News, December 10 Fox, Dan, “Thank You For The Music (London Beat),” Frieze, October 2006, pp. 268
Turner, Elisa, “A Walk On The Wild Side” September 17, 2006, Page 1M, Miami Herald Knight, Christopher, “Internet Images Caught, Modulated,” Los Angeles Times, January 27, 2006, pp. E26-E27 “Diminished Returns/Innocent Eyes: I want my MTV (and my art!),” LA.COM, January 21, 2006 2005 McClister, Nell, “Sean Dack”, Artforum International, March 2005 Gillick, Liam, Parreno, “Liam Gillick and Philippe Parreno Talk About 'Briannnnnn and Ferryyyyyy,” Artforum, February 2005, pp.144-145
Maine, Stephen, Dateline Brooklyn, Artnet.com, April 14, 2004 2004 Cherix, Christophe, “Anna Sanders Films Identity Spot,“ Afterart News, No. 2 Summer 2004, Page 9 Beyer, Charles G., “Sean Dack,” Flash Art, May-June 2004, Page 83
Maine, Stephen, Dateline Brooklyn, Artnet.com, April 14, 2004 2003 Herbert, Martin, “Liam Gillick, Sean Dack,” Time Out London, No. 1737, December 3-10 2003 p.54 ed. Lavinia Garulli and Valentina Sansone, “Focus Photography,” Flash Art, Vol.36, No.232, October 2003 p.87
Kordansky, David, “Sean Dack,” V magazine, July 2003 Zapperi, Giovanna. “Electric Body: Le Corps En Scène,” Flash Art, January-February 2003 2002 Gesschichte, Stuck. “Videoinstallation Sean Dack,” Journal Frankfurt, September 18, 2002 Hohmann, Silke, “Der kalkulierbare Kurt Cobain,” Frankfurter Rundschau, September 4, 2002
Wolters, Dierk, “Zertrummerte Gitarren in der Endlosschleife,” Frankfurter Neue Presse, September 4, 2002 “Eröffnung mit Sean Dack und Timo Albrecht als DJs,” Frankfurter Rundschau, September 2, 2002 Krueger, Reto, “In Kraichtal stört Lee Karis Ruhe,” Observer, April 4, 2002 Schutte, Christoph, “Kopie eines Buhnenberserkers, Sean Dack im Kunstverein,” Frankfurter Allgemeine Zeitung, September 7, 2002 Kerner, Anne, “Famous and Immortal,”Divento, July 17th 2002 Jonquet, Francois: “This Is The End,” Nova Magazine, July 2002, Paris, France Smith, Roberta, “Art In Review: Sean Dack at Southfirst,” The New York Times, January 18, 2002 2000 Fuentes, James, Open Space, James Fuentes Gallery, New York, Zing Magazine, Spring/Summer 2000 Grants and Awards: 2004 American Center Foundation project grant 2001 Theodore & Carolyn Newhouse Sculpture Award, Columbia University Publications: 2007 Sean Dack, Future Songs, Essay by Liam Gillick, Daniel Reich Gallery 2007 (Catalog) The Moscow Biennial of Contemporary Art, Footnotes: On Geopolitics, Market and Anmesia, Moscow, 2007 (Catalog)
2006 Sean Dack, Twilight Town, The Moore Space, Miami and Daniel REich Gallery, New York, 2006 The Uncertain States of America: American Art in the Third Millennium, Astrup Fearnley Museet for Modern Kunst
2004 Dack, Sean and Liam Gillick, Anna Sanders Films Identity Spot, One Star Press, Paris 2002 Electric Body: Le Corps en Scène, Cite de la Musique (Catalog) Dark Spring, Schafhausen, Nicolaus, and Vanessa Joan Muller, Ursula Blickle Stiftung (Catalog)
Special Projects and Commissions: 2005 Dior Homme, Shanghai, fitting room installation, collaboration with Liam Gillick Public Collections: The Saatchi Collection |